Woodblock Printmaking
Woodblock printing is one of the oldest ways of creating multiple images. Through the tactile process of literally “carving” imagery, this workshop will investigate the methods of relief woodblock printmaking. This course is an introduction to the basics of creating a multi-color woodblock print. Techniques covered will include transfer, carving, reduction, and multi-block methods. Simplify the seemingly complicated world of layers, woodcarving, reversed imagery, registration, and printing. Co-hosted with the Grand Marais Art Colony, this course will utilize a professional printing studio, allowing students to learn hand printing techniques as well as techniques that utilize a manual printing press. Students will also be encouraged to discuss imagery, abstraction, and conceptual intent. Embark on the adventuresome process of creating a unique, colorful image through woodcarving!
The first day of this course will deal with imagery, layout and design, and carving. There will be an initial introduction to the course and the steps of the complete process. Participants will discuss composition and subject matter. The individual project will be shaped depending on experience level, and the complexity of the print will be based on one’s individual abilities. Carving techniques will be taught and students will be shown examples of various textures, incorporating wood grain, and safety.
The second day will cover inking and printing. As the first stages of the blocks are finished being carved, students will be shown techniques for inking and the workings of the printing press. A general overview of ink mixing, characteristics, and application will be discussed. After the first color is printed, the students will be shown techniques for transferring the image to another block for separate color groups. Students will also be given the option to stick with one block and complete the print as a “reduction” print.
On the third day, the class will continue printing and “reduction” carving. Emphasis will be placed on the understanding of combining all the elements together, especially registration techniques, and carving negative space. The participants will continue with printing and at the end of class there will be a brief discussion and kind “critique” of the finished work.
The first day of this course will deal with imagery, layout and design, and carving. There will be an initial introduction to the course and the steps of the complete process. Participants will discuss composition and subject matter. The individual project will be shaped depending on experience level, and the complexity of the print will be based on one’s individual abilities. Carving techniques will be taught and students will be shown examples of various textures, incorporating wood grain, and safety.
The second day will cover inking and printing. As the first stages of the blocks are finished being carved, students will be shown techniques for inking and the workings of the printing press. A general overview of ink mixing, characteristics, and application will be discussed. After the first color is printed, the students will be shown techniques for transferring the image to another block for separate color groups. Students will also be given the option to stick with one block and complete the print as a “reduction” print.
On the third day, the class will continue printing and “reduction” carving. Emphasis will be placed on the understanding of combining all the elements together, especially registration techniques, and carving negative space. The participants will continue with printing and at the end of class there will be a brief discussion and kind “critique” of the finished work.
Dates
03/04/2011-03/06/2011Course Details
Length in days:
3
Hours:
9am-5pm
Tuition:
$255.00 per student (May 1-Oct 31)
$255.00 per student (Nov 1 - Apr 30)
$255.00 per student (Nov 1 - Apr 30)
Materials:
$60.00
Levels:
Beginner to Advanced
